![]() ![]() The paper should not be wet! It should only be slightly damp, not shiny with water. Spray the sheet with a fine mist from about 30cm away, wipe the paper with the cloth to spread moisture evenly, and quickly repeat on the other side of the sheet, before it curls. The technique is called "wet-folding", yet you don't want to wet the paper, but rather to only moisten it. The best way to find the right paper for you is to just try out various paper types.īecause wet paper changes its proportions slightly, due to the expansion of fibers, it's best to dampen the whole sheet before cutting the square out of it. The simpler the model, the heavier the paper! Another favorite is Elephant-Hide paper (also known as Wyndstone Marble). I prefer using Double-sided mulberry paper, or Fabriano and Canson brands, with weights from 90 to 160gsm. Try your local art-store and see what they have. There are many brands of thick art-paper out there. A small spray-bottle with water will supply the liquid, a cloth (or even a paper towel) will help spread the water evenly, and a nice sheet of wet-folding paper. Obviously, wet-folding lends itself best to folding animal models, since there are many curves and details to be put in them: Because we're using thick paper as it is, we don't want to get too many layers in the folds. The best models for wet-folding are the simplest. ![]() Heavier paper, however, after being dampened, can be more easily shaped to create beautiful three-dimensional models, which, when dry, will hold their shape for years. Also, it tends to splay and lose its shape over time. Origami paper is thin and crisp, and quite hard to shape to will. ![]() Wet-folding can make the difference between a model that looks like this:īoth are the same model: Puppy by Francisco Javier Caboblanco (see Jo Nakashima's video). Whilst continuing with traditional craftsmanship, they are also developing their own products and new technologies.Wet-folding is a technique introduced to the world by Japanese origami master Akira Yoshizawa, involving the dampening of thick papers in order to make them more foldable and create sturdier models. They have also expanded their business into Washi printing using new painting technologies such as silkscreen and inkjet printing. They also enjoy a large share as a distributor of Washi related products and a variety of Mino Washi. Since its formation Kaminoshigoto has engaged in the production and sales of traditional Japanese lantern Washi. These decals can be peeled off once dry and stored for reuse. To apply, simply spray the surface with a little water and press the decal on. These decals can be peeled off once dry and stored for reuse.The washi paper is strong and flexible and can be applied to smooth glass surfaces, such as candle holders or windows. These decals are a made by creating thin, translucent paper lacework, called Sukashi Washi. The washi paper is strong and flexible and can be applied to smooth glass, such as candle holders or windows. Each animal design has complex patterns of scales and feathers, showing the attention of detail incorporated into each piece. Long fibers are a characteristic of washi paper and are made full use of in these nature inspired origami. This specialized skill was declared an important cultural asset of Japan in 1969 and was registered in UNESCO’s Intangible Cultural Heritage technique in 2014. As of January 2018, only five highly skilled members of the Mino Washi Paper Preservation Association are currently able to make this special paper. Mino washi paper is very thin, smooth, and translucent, requiring great skill and care to make. Kaminoshigoto works with a handful of top Mino Tesuki Washi artisans to create handmade Mino washi paper products. ![]()
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